I was going through my hard copy map file and found several interesting items, including a USGS map of the Willow Springs region dating from the 1930’s. And this map, which a few of you may recognize.


Ab Origine Finis

penDo they keep me here because I am dotty? Or is it because I know the secret? Or is it both? Yes, perhaps, for I both know the secret and am dotty enough to use it! What secret is that, you ask? Would you like to know it? Continue Reading »

So let’s assume you’ve written fifty short stories and maybe a novella or a novelette, and you decide you want to write a full-length novel. Part 1 went into some basic considerations:

1. Consider whether you really want to write a novel;

2. Write to be read, i.e., hook the reader and don’t let go for a minute;

3. Make the hero and his story go somewhere, physically and mentally.

Although you can often, perhaps usually, write short fiction without an outline other than a plan in your head about how the piece is going to end. Novels are different. Winging it is risky. You may forget subplot threads, leaving them unresolved. Readers will castigate you. You may get a third of the way into the book and suddenly hit a brick wall–you don’t know where to go next, you have a dozen or more possible ways to go and something is wrong with every one of them and you become indecisive and writer’s block grips you in its heavy, dark blue fist and you are done. That’s no fun.

Or maybe you escape from that and finish another third of the book, then realize the ending you planned (you did plan how to end before you started didn’t you?) won’t work with the characters you now have on your hands. The clever plot twists and turns you created to arrive at that wonderful ending must be abandoned. “Nusmunay Wigglesworth,” your charismatic Anglo-Indian philanthropist who mentors the hero from Chapter 42 onward, is now unnecessary and must be deleted. Or you can kill him off. (Beware of the latter course. Readers will not like you if you kill their favorite characters off! Let those with two ‘R’s for their middle initials pay heed!) You’ve written yourself into a dead end.

As it says in the ancient Code of Abibarshim: “VII. He who designeth without a plan is like he who rusheth forth into darkness without a torch. Rush not ere thou knowest whither, for there are many snares and pitfalls in the dark, and wild beasts to reach up and bit thine ass or camel on the path named Critical.”

Okay. Create an outline for your book. If you loathe, detest, abhor, abominate and get St. Vitus dance from outlining. at least make a timeline.

But outlining is not where you start. Once you’ve made the decision to become a novelist, you need to have something to say. Yes, novels are not just a series of incidents plunked down end-to-end between a prologue and “The End.” They must contain something besides the text and the plot and characters. They must have a message. Not a Message, with a capital ‘m,’ that will change the course of history and make your name forever mentioned in the same breath as Wilde, Dickens, Tolstoy, and McGonigle.

THEME: A single statement or question about the human condition that is explored by the work from all sides. 

Many writers (too many, perhaps) put off deciding on their theme until they’ve already written the book, and then they stand back and scratch their buns and say, “Hmm. What’s my theme? I guess this book is about indecision. There are a lot of places where my hero is indecisive. Yeah, ‘Indecision is a Bad Thing,’ that’s my theme. Or maybe it’s precipitousness…” Then they go back and add a bunch more instances of inability to decide. They make the hero indecisive when he has his Save the Cat Moment. The villain is indecisive, and the horse he came in on. The dog, too.

Let’s say you have a legitimate theme, Judgmentalism can lead to Evil. Note that it’s not “Being judgmental is bad.” That’s one-sided, hence didactic. Didactic works rarely have anything to say beyond “Me, too!” Imagine Patton as a monotonic movie saying only “War sucks!” without showing Patton’s genuine enthusiasm for conflict? (Imagine winning WWII without generals who mostly enjoyed their craft.)

Exploring a theme from all sides gives a rich, nuanced novel, one that will last. You don’t, for example, need to have scenes showing judgment of others as entirely good, merely to show why people become that way, why they are driven to it. You can have a character who loves being judgmental and is unapologetic about it: “Judgmental? Some people say I am, but I’ve merely been given a gift for criticism. I’m good at it, and I believe in using my gift.”

Next you need characters and story, ones that provides maximum opportunities to display (somewhat subtly) your theme. In some cases, your theme itself will narrow down the possible stories quite drastically. “War sucks,” pretty much requires a war picture/novel, so that’s your story. “Judgmentalism leads to Evil” is not that story-restrictive, since people of all occupations can fit that theme. Some vocations, though, will fit it better than most, so for my book about Judgmentalism, I’m going to grab the other handle, character, and make my protagonist a priest, one who is concerned daily about moral issues, especially in other people. I’ll give him nuance via frequent interior dialogue about his own sinfulness. Get the idea? I hope you do. The priest’s story can be about topical issues, ones I need not list here, but ones that involve tons and tons of conflict. Muhahaha! Conflict! I love it. God help me I do love it so.

Once you have a story, populate it with people who will create the best conflict, who best fit the events therein. Make your characters not merely diverse (the obvious approach, and one that cliches must follow as the night the day), but with conflicting traits. An agnostic neatnik must be set opposite a Christian clutterer, and so on. Characters’ opinions that touch the theme must be varied, too.

This is just a starting point. The actuality is that your story and characters and theme will interact as the novel develops, each influencing the other. I’m not talking about character arc, but about how your characters turn into someone else when exposed to the world of the story. Obviously, they will also change from start to finish, but that’s a topic for another time.



First, make sure you really want to write a novel. Novels are hard to write. Here’s my scale of literary difficulty:

Short story      1
Short play     10
Novel          100
3-act play 1,000
Film       10,000

It’s usually best to start with short fiction and work your way up to more difficult material. Novels have a cachet that short stories lack, but there are shorter forms that are almost as good as novels. With a lot less effort you can write and publish a novelette or a novella, and still wear a tweed jacket with leather elbow patches and refer to “…my book…” at every opportunity.

¿What is the difference, you ask. Here it is:

Novel 40,000 words or more,       Difficulty 100 (and up)
Novella 17,500 to 40,000 words,  Difficulty 72 (average)
Novelette 7,500 to 17,500 words, Difficulty 62 (average)

Hint: the longer the name, the shorter the work. Novelettes are lot shorter than novels, novellas are in the middle.

Second, write to be read. Shoot the sheriff on the first page. Skip description; put action or a powerful hook in the first line, then fill in below that with the setting, the dark and stormy night garbage, etc. An example:

“Put down that wrench!” (Opening line, “Blowups Happen,” Robert A. Heinlein, 1940.)

Once you’ve grabbed the reader, don’t let go. End your chapters on high tension points:

Tenirax watched the torturer’s shadow flicker slowly up the stone stairs until he found himself in total darkness.


Another room straight ahead. Tenirax put his head in to take a quick look. It was too dark to see. I must light a candle, he thought, stepping inside. Suddenly, close at hand, he heard the most ominous sound anyone can hear.

Third, don’t just take us somewhere and back. Your hero must be different when he returns. Readers, in some way, should also be changed:

Bad reader change: “Why did I read that crap?”
Good reader change: “I must buy the sequel!”

Misty Lake Theme

The “update” of MistyLook features a new banner photograph lacking any wait till you see what else!

How To Find Time To Write A Book

Check out Anne Wayman’s article on her site:



“Writings of a Mrs.” is to blame for this. She provided an example on her blog. The assignment was to write a backwards poem of a sort. Is it here. I mean, here it is.

Upend the bucket I, and
from the grass swarms
water up, pink all.
It catch I the bucket in.

Inside go I, then, backing.
The bucket from
the sponge take I, and smear
the water pink the floor upon–

Red, all red now,
turns the floor,
And soon into him back
seeps the blood.

Stands he. Face unslackens his.
Down looks he the knife at,
Swiftly, it from him I pull.
Fearful grows his face.

The blade wave I and
angry so becomes he.
My knife away put I, and
“Here doing you are what?” asks he.

But too late it is? Doomed are we.


I dreamt last night of a friend of many years ago. Lost in an unending labyrinth of offices like those we worked in once, I made my way to more familiar territory and looked for him among the people there. Some seemed like him, at first, but a closer view showed them to be strangers. As I searched, it came to me that I’d not seen him in a long while; hadn’t I heard that he was dead? No, that couldn’t be. Then I recalled this waking world where it was so. He’d died in a far off place a decade ago. As I left the maze, I found it hard to breathe. I wanted to find someone to help, to tell them of the great loss that had finally sunk deep into my heart.

Gratitude List

  1. Community college courses
  2. JIH, instructor
  3. Anne Wayman
  4. Groxy, mentor
  5. computers
  6. puzzles
  7. words
  8. Peggy
  9. Joe Tomasi
  10. mysteries
  11. libraries
  12. librarians
  13. movies
  14. books
  15. wood
  16. my Saturn
  17. my house
  18. WRH’s house
  19. swimming pools
  20. Silver Sneakers
  21. music
  22. my high school
  23. freedom
  24. retirement
  25. comics, esp. Dilbert
  26. my 22″ monitor
  27. my mom & dad
  28. old photographs
  29. the internet
  30. my Panasonic shaver
  31. Lois and what she created
  32. Ojai
  33. writing workshops
  34. experience
  35. polystyrene foam cups
  36. car clocks that work
  37. cheap cell phones
  38. A morning at Summerland
  39. hot water
  40. SCNA
  41. Open Office
  42. anonymity
  43. H3PO4 for my arthritis
  44. writer friends
  45. program friends
  46. Wayfarer’s Chapel
  47. St. Anthony’s Chapel
  48. health
  49. paper
  50. magnets
  51. mementos of my father
  52. mementos of my mother
  53. chess sets
  54. grass
  55. botanic gardens
  56. tea
  57. coffee houses
  58. restaurants
  59. plays
  60. long reach stapler
  61. nuts
  62. dark chocolate
  63. Christmas licorice
  64. marzipan
  65. See’s
  66. Chinese food
  67. my publisher
  68. superglue
  69. my Swiss Army knife
  70. Xacto knives
  71. my Mototool
  72. massage
  73. my doctors
  74. letter openers
  75. real letters
  76. fudge
  77. Celtic music
  78. Celtic art
  79. Art Nouveau
  80. Maxfield Parrish prints
  81. Salvador Dali
  82. Frank Lloyd Wright designs
  83. my paper cutter
  84. acrylic paints
  85. my color printer
  86. flip flops
  87. disposable paint brushes
  88. cordless mouses
  89. Skype
  90. Digital photography
  91. Incandescent lightbulbs
  92. DVD players
  93. astronomy
  94. fireworks
  95. art fairs
  96. woodworking tools
  97. pencils
  98. Pepcid
  99. fireplaces
  100. patriots, old and new
  101. interlibrary loan
  102. spellcheck
  103. free online dictionary
  104. garage door openers
  105. engineers
  106. antibiotics
  107. glass
  108. JRR Tolkien

The post entitled “Watcher in the Night” is an allegory for the alcoholic situation. For a more detailed discussion on this topic, see The Custodienne; Alcoholism’s Secret Cause